Monday Musing: The Real World

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Hello,

Welcome to the accidentally Tuesday Monday Musing.

I’ve been thinking about reality, and the reality of fiction. What makes a world real to a reader? It’s something that I’m constantly thinking about in my writing at the moment, and have been thinking about other works of fiction and the worlds that they created.

I’ve recently finished reading Flashman’s Lady, which like the rest of the series deftly mixes historical fact with fiction. George MacDonald Fraser researched fact and built his fiction around it. It’s a staggering feat to me. I utterly believe the world he is writing. It’s a beautifully believable world. If you’ve not read any of the Flashman Papers I heartily recommend them.

I’m currently reading Storm Front by Jim Butcher because I’m on a bit of an Urban Magic kick at the moment, having recently enjoyed Ben Aaronovitch’s River of London series. Storm Front is set in a modern-day Chicago and layers on levels of fantasy, mythology and magic. Which is what got me thinking about this topic, as I realised I totally bought his world, but can’t pinpoint the moment that I did.

Fictional worlds like Middle Earth, Westeros and The Discworld all feel like real places, brilliantly realised on the page. The Time Traveler’s Wife works around nonsense science that you believe as being a problem Henry suffers from.

In film, the world of Star Wars originally caught imagination because it presented its world as lived in and used, we were seeing the parts of the world that people like us would live in, we were seeing our lives mirrored in this galaxy far, far away. (which is why I think the prequels feel so cold to those of us that grew up with the original trilogy. Suddenly we’re in palaces and government buildings. Nothing is really as relatable to us in those films).

I’ve recently finished playing Bioshock Inifinte and my god there was a world that I believed I was in. From the opening level that allows you to explore the floating world of Columbia at your own pace before all the fighting starts allows you to feel at home and familiar with it. This is expanded later when you are joined by Elizabeth who has never seen the world before, her fascination with the world and it’s citizens is constantly refreshing and continuously brings you into LOOKING at the world, not just pass through it.

I love all these world, and so many more. As I create a version of the world we are familiar with I keep having to ask myself does that make sense? Will a reader understand the technology, am I being too vague, too specific, am I skewing things just enough to get the desired effect?

I believe that the key to this is to set out the rules of the world, that certain things exist or can happen and why, and stick to it. There’s nothing worse than a fiction that presents rules and then bends/breaks them for a quick payoff that feels hollow or undeserved. I’m reminded of a designer of panic rooms discussing David Fincher’s film Panic Room, stating that what he was grateful for was the world of panic rooms was established as being unbreakable, that no one could force their way into the room, and that this was maintained as an absolute in the film.

Rules are not always made to be broken.

I feel that my test-readers have been given a mini quiz when they are done reading. I desperately want my world to feel real, lived in, complete and for it to make sense. I hope it does, so far I nothing seems to have really caused any discomfort to my gallant guinea pigs.

Creating a believable new reality is the power of the fiction writer.

– Andrew

Thursday Thoughts: What My Book Is About…

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I’ve been teasing this for a long time, so it’s perhaps overdue that I talk a little more about the novel that I am writing. This is not part of NaNoWrMo (National Novel Writing Month to those that maybe don’t know), though I am considering taking part next year. A recent change in lifestyle has made me examine my creative output and I decided that the best course was to write a book. It’s slow going (I’m marvelling at the NaNoWrMo writers who have surpassed my word count already) but I’ve not felt so creatively liberated in a long time.

I’ve spoken around the subject since I started this blog, revealing the main character’s name (Evin) and I published the first paragraph a while back. So here, finally, is what it is about…

They’re Here tells the story of Evin van Wijk in her own words. Written in the months after she wakes up to find that her parents are missing. Not only are they missing, but their belongings have vanished and they have been erased from any photographer or drawing that featured them. A letter on her doorstep tells Evin that her parents have been taken and that she should never speak of them again.
With the disappearances occurring world-wide, Evin must survive on her own and look for somewhere safe to live. But is the fear of being taken worse than the reality of what is left of the world?

There you have it. I’ve nut-shelled my story for you. I’m having a lot of fun writing this book. Some of it has gone to places that I hadn’t anticipated when I started. I’m looking forward to getting to the end (please see: https://ardavidsonwrites.wordpress.com/2013/10/21/monday-musings-the-end/ for more details on that).

Let me know what you think.

Just a reminder that you can get involved with this blog in other ways. facebook.com/ardavidsonwrites and ardavidsonwrites.tumblr.com

AND there is one week left to add your short story suggestions here: https://ardavidsonwrites.wordpress.com/2013/11/01/november-short-story-submission/ I want you to challenge me.

– Andrew

 

Monday Musing: What’s In A Name?

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I have a terrible time naming characters. I always have. I was reminded of this the other day when I decided to play Mass Effect 3 again using my second character. I played through the previous two games twice, once trying to do it properly, the second time just being the galaxy’s biggest dickbag. If someone asks nicely for something, I tell ’em where to stick it! If I have the choice of saving someone or letting them die, it’s adios unnecessary baggage. If I’m trying to extract information from someone, they are gonna get a broken face. Throughout the second game in the series I worked hard to maintain the deep red scarring that was representative of being a total dickbag. As the first name of Commander Shephard is never said in the game it’s irrelevant what you call the character, my second character is called Girl’s Name Shephard (the other version was called Fucknut).

This naming fiasco is as a result of putting no thought into it at all, and not representative of my usual naming process. The problem is that my usual naming process is part of the reason why it takes me so long to write anything. To me, the name of a character is defined by who the character is, not the other way round. I don’t write for a while and think, “Well, she feels like she’s a Trish.” It gets to the point that I can’t write anything for the character until I have named them.

Admittedly I will name ancillary characters after friends and family, and whenever I made a short film with the actor Darren McAree (from Autumn Heart onwards) his character’s name always started with a J. I wish I could tell you there was some great story behind that, but there isn’t.

I struggle every time, and I hate it. I hate that I have to trawl through name books every time I start writing because I can’t do anything until the character can identify themself. Yet, and this is what’s important to me, once I have named the character it is easy to write for them, I feel a sense of accomplishment and satisfaction having named them. The process is hard and seldom instantaneous, but it is worth it.

I don’t think that a reader should notice or think much at all about what the character is named. I don’t believe that I’ve ever felt that a character in a book I’ve read, a movie or television show I’ve watched, has had the wrong name. I’ve never spoken to other writers about this so I can only speak for myself, but the name of a character to me defines who they are, what they represent in the story, and only when their name fits them like a thing that is really well-fitting, can I begin to let them live.

There is power in a name. As long as that isn’t “Girl’s Name”.

– Andrew

(oh, just leaving this here… http://www.kabalarians.com/m/andrew.htm)

November Short Story Submission

Welcome to November’s Interactive Short Story submission post.

I hope you enjoyed October’s story, but it’s time for a new story and I need your short story ideas!

What I Need From You

  • Character(s) – Protagonist, Antagonist, love interest, etc. Anyone you feel is important. (names optional)
  • Setting – Where does the story take place?
  • What happens – eg. [character x] and [character y] find a sack full of money and a severed finger.
  • Inciting incident – what changes? eg. When they return home with the money they receive a phone call telling them that they must double the finances in the sack within a week or face the same fate as the owner of the severed finger.
  • A small detail – something you want me to work in to the story. (optional)

You don’t have to include all of those details, though the more detail the better. If there’s something you want to add that you feel is important please do.

Try and put your idea into a short sentence or two, remembering that these submissions will go to vote, keep it snappy.

Submissions will go to reader vote on November 14th 2013 and will be open until midday on November 21st 2013.

I will write your idea as a short story for publishing on this blog.

Thank you for submitting an idea. Without you this blog won’t work.
I look forward to reading your ideas.

– Andrew

Rules

  • Please do not use existing works in your submission.
  • Only submissions made in the comment section of this post will be counted, submissions made anywhere else will not be included.
  • I have final say on which 5 story ideas go to the vote, apologies if yours is not chosen.
  • Submissions made after 10.00pm GTM on Wednesday 13th November will not be eligible for voting.
  • By submitting a short story suggestion you waive all rights to that story. The copyright to the completed short story will be mine exclusively. By submitting a suggestion you are agreeing to this.

Thursday Thoughts: Writing Goat’s Story

Hello,

First up I feel the need to apologise for the terrible quality of the images in this post, since installing Mavericks my scanner no longer works, and no amount of searching has yet found a suitable (read: free) work around for this, so the images are taken with my phone. Yeesh.

I wanted to use this post to talk about the short story that I published on Tuesday and how it came about. I also spoke briefly on Monday about a writing exercise that I find helpful.

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In the image above you can see a breakdown of the story. I will talk you round how I map out and plan the story.

Starting with the left hand bubble in the centre we have the Title of the story. This can be temporary, but it does help to start by naming your story.

Directly above that is the Subject of the story. This isn’t a detail of the plot, but a quick summation of the story. This is helpful if you feel you have a block in your writing, remind yourself what you are writing about, is what you are trying to write in service of that? Mine is simply: Goat eats pages after writing them.

The next bubble anti-clockwise is the Setting. Where and when is it set? I’d originally planned for the book to all take place from Mr. Goat’s house, but eventually moved the final scene to be elsewhere. Yours could be in the future, the past, on an alien planet…

Next left is What Changes. My story is about a goat who eats his writing when he finishes it, so the change I wanted was that he meets someone who can help him fulfil his wish to write. Your character is destined to be a different person when the story concludes, whether for the better or worse. What is it that happens to them?

At the bottom is Plot. This you must breakdown into three parts: 1. Inciting Incident – what happens that sets our story in motion? For my story, Mr. Goat eats his work and this makes him sad. 2. Complicit – How do they react to this and what actions do they take? Their involvement allows for the rest of the story to unfold. If Mr. Goat chose to carry on eating his work, it wouldn’t make for a story. He chooses to abandon his writing, breaks his routines and sets in motion the involvement of Nanny Goat. 3. Climax – I’ve spoken about endings before, here it is again, how will the story end? I wrote “Tells someone his story. They surprise him by writing it.”

Connected to the Title is the Major Theme that in the instance of Goat’s Story was of not trying something for a fear of failure. In this case as a metaphor for love, which you can see above as a Minor Theme. You can have as many minor themes as you need. Again they are good to come back to if you’re struggling to write, remind yourself what it’s about.

There’s the story mapped out in a very loose terms. There’s no right or wrong way to write this out, perhaps the themes will help dictate the plot, perhaps the plot is what comes first and you explore the themes as texture. It’s a good tool to be able to look at your story at a glance.

A similar exercise to this is regards to character. Start with your main character in the middle and all the bubbles coming out are what he/she Wants. I didn’t do this for Goat’s Story as it was a fairly straight forward piece, but for the book I have a page all about Evin with numerous bubbles coming out which lead to sub-bubbles. You can carry this further by starting a new page with your protagonist in the middle and the first bubbles around are all the secondary characters, from them you state what they want. I’ve got another page like this with Evin’s family, friends, people she’ll meet and the antagonist. You are really looking to explore what makes those characters. There will always be pieces that come out of it that you hadn’t expected, and you will see opportunities to create scenes where those characters either get or are denied the thing that they want.

If you are writing right now and having some trouble with a character and what to do next try one of the character exercises and see what comes from it.

From that basic diagram of the story I tend to move to a more detailed outline of what I want to write. For me it’s usually the major beats of the story in fairly broad strokes and I am constantly writing questions, be it whether the character would or should do something, to giving myself a couple of options for a scene. Below is the two pages for Goat’s Story.

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It was at this point (despite the note on the diagram page) that the story organically became in the style of a children’s story. It seemed a logically extension for a metaphorical story as the best children’s stories are metaphors.

I’m never a slave to this outline, but I find that it helps keep me on track. In the novel I have given an entire story that I had planned for Evin to another character, which has slightly derailed the outline, but that story is better where it is now.

I hope you’ve found this interesting. I will post the story breakdowns for each short story after publication, although the posts will not contain as much explanation of the process as this. I was fortunate that the story came quite easily to me on this one, I’m sure there will be a story that won’t be so fortunate.

And next week I will reveal the details of my novel!

– Andrew

 

Short Story 1: Goat’s Story

Hello,

Here is the first short story written based off of a suggestion submitted to this blog.
The next submission date for story suggestions is Friday 1st November.

I hope you enjoy this story.

Goat’s Story
By Andrew Davidson
Based on the suggestion by “J”

On the edge of town, in a dark wood, in a simple house made of wood, lives Mr. Goat. To me, you, and any of our friends, Mr. Goat would seem like any normal goat, with silver fur, a black beard, and small surefooted hooves. During the long hot days he would work in the fields, bleating a good life for himself. But Mr. Goat was sad.

At night Mr. Goat sat in his windowless study and wrote fantastical stories. He imagined worlds so detailed in their description, so beautiful in their words that his heart would ache that he couldn’t visit them. But that wasn’t why Mr. Goat was sad. He was sad because he ate every page of his stories the moment he was finished writing them. At the end of the night he would have nothing to show for his hard work. This was why Mr. Goat was sad.

Every Saturday Mr. Goat would usually walk the short distance from his house, past the Library Tree, beyond the Swan Lake, and around the Shrew Police Station to the stationery shop owned by Nanny Goat, where he would buy some blank paper to write his stories. On this particular Saturday he hadn’t come and Nanny Goat was worried.

Mr. Goat sat in his front room and sulked. He wasn’t very happy at all. He had decided that he would never write another story ever again. “Better to never create than always destroy.” He said to himself.

There was a knock at his door.

Mr. Goat was not accustomed to having visitors and wondered, as he trotted towards his square front door, “Who could be disturbing my quality misery time?” He opened the door with a huff and found Nanny Goat standing outside, an umbrella over her head, although it wasn’t raining.

“May I come in?” She asked.

Mr. Goat stepped aside to let her enter his house.

“You have a very nice house.” Said Nanny Goat taking in the uneven timberwork, the wilting flower in a vase, and the worn red rug under her hooves.

Mr. Goat was trying very hard to be miserable and found her compliments very unhelpful in that regard. He had a mind to tell her as such, which was lucky because she turned to look him in his yellow eyes and asked, “Where were you today? I expected you to come and buy some paper for your stories, but you did not come. I was worried.”

“I have given up writing!” He proclaimed, meaning that to be the end of the discussion. “And how did you know where I live?”

“I asked a Stoat, who told me to speak to the Squirrels, they told me to ask the Badgers, but they have all gone into hiding, I couldn’t ask the Shrews because you have to be missing for twenty-four hours, I found a Fallow Deer who told me to ask a Chaffinch, but they were just rude. I don’t like the Chaffinches. But I met a Mole who said he knew you from the Woodland Association and here I am.”

Mr. Goat thought it was a very tall tale, though he did agree about the Chaffinches.

“Well, now you have found me and I am quite alright. Please leave, I was enjoying some quality misery and would like to get back to it.”

“But why, Mr. Goat, have you stopped writing?”

“Because I always end up eating my stories, so I think I would rather not bother.”

“I am very sorry to hear that,” said Nanny Goat, “But would you please do me the honour of telling me one of your stories before you finish forever. I would very much like to hear one of them.”

Mr. Goat had never told any of his stories before and thought that maybe if they couldn’t last forever in the pages of a book, that maybe it could last as long as it took him to tell Nanny Goat. Yes, he thought, Just this one story and then I will finish forever.

He told her a most fantastic story full of wonder and heroics, of good guys winning and defeating the bad guys, and of love. Nanny Goat sat quietly on the rug and listened intently to his story. She never once reacted to an exciting moment, never blinking as the hero almost died, and she didn’t sigh with relief when the hero won the heart of the girl. When the story was finished she stood up, said thank you, and left the house.

Mr. Goat felt worse than ever and went to sleep in a very bad mood indeed.

A tapping at his door woke Mr. Goat the next morning. Tap-tap-tap. Mr. Goat heaved himself up on his front legs, then on his back legs, and trotted grumpily to his door. “Two guests in two days.” He grumbled to himself. “Quite unacceptable.”

On his doorstep stood Mr. Goose, his white feathers and orange beak immaculately turned out as befitting someone of his position.

“Mr. Goose, sir. To what do I owe this fine pleasure?”

“Mr. Goat,” Replied Mr. Goose, “The pleasure is mine if you would care to join me for a walk.”

Well here was a fine thing if ever there was one. The Geese were well known for their self-important ways and were more likely to honk at you than talk to you. Mr. Goat agreed without question, grabbing his hat from behind the door and following Mr. Goose.

Soon they were past Nanny Goat’s stationery shop, that Mr. Goat noticed was closed, he was not accustomed to seeing it in that state. They waddled and trotted respectively toward the Town Hall that the rabbits had burrowed under the largest oak tree in the wood. As they entered the Hall the gathered animals hushed themselves and stared at Mr. Goat as he followed Mr. Goose to the front of the Hall. All the animals were there, the Ducks, the Foxes, and the Moles were all facing the wrong direction; the Frogs had come too, as had the Owls and the Hedgehogs. Above him were Nightingales, Sparrows, Woodpeckers and Willow Tits. Mr. Goat was pleased not to see any Chaffinches.

Standing behind a lectern made of mud was Nanny Goat. On the lectern Mr. Goat could just see a collection of paper bound together with straw. No, he thought, It can’t be.

“Mr. Goat,” said Nanny, “With the help of the mice we stayed up all night and wrote the story you told me, every word. I would like to read it to these animals, so that they can all share in your wonderful tale.”

Mr. Goat’s heart beat faster and his chin quivered. Throughout the story he turned his head to look at the excited faces of the other animals, his friends. They cried at the sad bits, they laughed at the funny bits, Mr. Owl put a protective wing around his wife when it seemed that there was no escape for the hero, a Nightingale sang with happiness when victory finally came, and the animals all applauded by stamping the ground at the Happily Ever After.

Mr. Goat had never felt happier. Here was his story being read to a group of animals that had loved every moment of it. He had hardly dared dream that such a thing could happen to him, let alone the demands he received afterwards to write another.

It was with a heavy heart that he spoke to the gathering of animals to say, “I am sorry my friends but I cannot write you another story, for I am cursed to destroy anything that I try to create.”

The animals in the hall all groaned in unison.

Nanny Goat stepped up beside Mr. Goat and nuzzled the side of his face with hers. “But you are forgetting Mr. Goat, that you have me, and the mice. We will help you write your stories. You tell us what to write and we will write them, together.”

Mr. Goat thought for a moment. He had been enjoying his misery, or so he thought, but there was a spark in his heart as he had listened to Nanny Goat read his story. Maybe he didn’t have to write alone, maybe there was something greater out there to experience and enjoy if only he would let himself enjoy it. He just had to believe in himself.

“Together.” He said.

And they lived happily ever after.

NOTES

  • Please feel free to repost this story, however a link to this blog must be included.
  • This story cannot be edited or otherwise altered in reproduction without prior written consent.
  • This story cannot be used commercially in print, in part or in whole, without prior written consent.

 

Monday Musings: Inspiration

Hello,

Here’s a delightfully intangible thing: Inspiration.

What is it? Where does it come from? How can we harness it? How can we generate it?

I had planned to write a very sweeping statement about what my inspiration is, and I was thinking through my previous writing to confirm the statement. However, as I thought back I realised that this wasn’t the case at all. I feel a little like I’ve been lying to people. I had to think more, where DID my inspiration come from? I had planned to say that ideas come to me in a very visual way, often a single striking image that over time becomes a story. Even though this isn’t true in every case, it is where I will start.

It is common that I will get an image of something and work my way backward from there. One such image was of a yellow and red sunset sky, silhouetted against which was a flock of birds that transformed into a formation of military aircraft across the image. For the longest time I didn’t know what that story was, but I was interested in the imagery of it. In time it became a story about a lone survivor of a battle, wounded and going delirious who befriends a young French girl who is playing the in woods. They were not able to communicate with each other but after all the fighting the soldier has witness she was a vision of an innocent future yet possible.

Sometimes I get a particular phrase stuck in my head. My novel stemmed from the phrase “They’re here” and worked forward from there originally as a very straight horror, but it changed over time to be less about who they were and more about how it all effected the central character, Evin. After a considerable period of rumination and false starts I realised that it was a story about Evin asking herself the question we all face at some point in our life: “Who am I?”

Other times ideas grow out of a sense of wanting to look at something from a different angle. I have spoken often (outside this blog) about my apathy toward the Zombie genre. I can count on one hand the works about Zombies that actually interest me, and they tend to be the ones that actually have very little to do with Zombies (TellTale Games video game of The Walking Dead was not only not about Zombies, it was also one of the best pieces of written entertainment in 2012). As I sat listlessly watching another retread of Zombie tropes I wondered how a Zombie would feel about the representation of Zombies in the media. I thought of him being offended by it. This idea grew to be a short film I made a couple of years ago called Dates of the Undead:

I’m the first to admit that translating those kernels of inspiration into salty idea-popcorn goodness is not something I’m very quick at. Those ideas tend to stick in my head and ruminate for a long time before I feel ready to put them on paper. I have got better and have picked up some good writing exercises over the years that have helped. There’s a great one for laying out structure/story/themes/characters that I used recently to start the book and last week for the short story. I thought it might be interesting to share the process of writing the short story, so after it has been published tomorrow I will talk about the process of taking the idea from suggestion to story and I will post this on Thursday.

I think my two favourite writing exercises are to write a monologue for a character stating who they are and what it is they want, and how they are going to achieve it. This will work for all your characters, you will find that with each character you will instinctively give them voices, and their desires and how they intend to achieve them will reveal a lot about who they are. It also means, at least to me, that when I start writing that I already know them, yes they will still surprise in the writing process, but the starting off point is less daunting.

A similar piece to this is to write a dialogue between two characters, if they are the protagonist and the antagonist it will help. Think of yourself as a counsellor for the characters. Let the protagonist state what they want and the antagonist state how they can’t have it. Again, it will be revealing and help find who the characters are. Give them weaknesses that will hinder their ability to get what they want. Not necessarily physical weaknesses, it could be impatience or a short temper.

Finally, where can you find inspiration? I did a writing course a few years ago and was told to choose a story from a newspaper, and write a scene based upon it. I’d found a small story about a couple on holiday who had been tied up and robbed. It was a horrible story and I don’t know why I picked it. Every part of the article made me sick and angry, the couple were threatened with assault and at times separated from each other. I wrote two pages of just utter rubbish, it was full of cliché and didn’t go anywhere or mean anything. It was a struggle to write and I only finished it the night before the next class. Out of those two pages, of all those words, the only thing that sparked any interest in me was five words: “Why do you love her?”

I became desperately intrigued by this. Why would someone take people hostage and demand an explanation of love? What would the answer be? If the people were physically separated from each other would their answers be the same? What if they weren’t the same? What if they didn’t know that? The story became about lies and truth. Lies we tell ourselves, truths we hide, accepting or rejection those ideals. It was a cat and mouse of what do people say and what do they mean.

Out of that article of misery, of two pages of horrible writing, came five words that inspired something much bigger and better.

I guess the point is that inspiration comes from anywhere, the trick is to be able to recognise it and harness it. To take whatever it is and work at it, use any tool available to you to create something from it. Sometimes that it won’t work, sometimes it’s not meant to work. But sometimes something better will come from that failure.

– Andrew

 

Thursday Thoughts: Letting Other People Read

Hello,

Having recently completed a draft of the first third of my book I decided to let some brave souls have a read of what I have been up to. This is always a terrifying moment because you hope that everything is clear, that the journey the character is on and the actions that they take track correctly and are believable things they would do.

Some stuff really shifted around in the editing of the book. The largest change was switching the timing of two major events. The action of those events didn’t change but I realised as I worked back through the book that I had the personal scene first and a larger event second. By switching them I could identify to the reader what is happening in the world, and then later bring that right to Evin’s door, which gave it a lot more power.

Editing is my favourite part of writing. I take very little joy in the initial writing process, it is difficult, and long, and frustrating. Editing is a blissful journey of discovery, of looking at everything you have created and arranging it to make sense. You look at every moment to identify if it makes sense, is it adding anything and is it supporting the themes. If it does none of that cut it out or make it better.

I’m looking forward to hearing what my friends think.

Now it is back to writing, Evin’s journey is taking a new direction and I’m eager to explore that.

Also, I’ve started work on this month’s short story. Look for that coming soon.

– Andrew

Monday Musings: The End

Hello,

For my first Monday Musing I thought I would start with the question most frequently asked of me: “Do you have an ending?”

Endings are regarded as the most important part of a narrative experience. You can afford to start weak if your ending is strong. The ideal would be to have a strong start, a great middle and a fantastic end. I loved Joe Abercrombie’s Best Served Cold because I was instantly hooked from the opening chapter. It’s his best writing and his best characters.

A story simply can’t afford a limp ending that readers feel cheated by. I’ve just finished reading Kate Mosse’s Citadel which I thought had a deeply satisfying ending. Emotional, truthful and, importantly, right for the characters. Conversely I threw David Mitchell’s Cloud Atlas to the floor when I finished it. I loved the individual elements but felt no sense of completion at the end.

Those are my opinions on the aforementioned books, you may share them or not.

With my story I actually started with the ending and tracked back from there. The inception of the story goes back about four or five years and has changed a lot over that time. I eventually found an interesting hook for the story and it has grown into what it is now. That’s not to say that the ending I started with will be the ending that the book will have. I’ve been toying with variations of it recently. I’m not locking myself into anything at this point.

I have told some of my closest friends what this ending is and their reactions have varied so far, I think it depends on their personality. Don’t read too much into this next statement, but I like a certain amount of ambiguity in my work. I think it was the director Adrian Lyne when talking about his film adaptation of Lolita who said that he wanted the audience to figure out for themselves how they felt about the characters and what happened, rather than being told what to think. I’m paraphrasing there. My point is that I like to create a story and draw attention to the plot, characters and themes and then go: “And you decide what that means.”

Excuse my horrific self promotion here as I use a short film I made 10 years ago for demonstration purposes. I feel we said everything that we wanted to in the story, explored and re-explored the central theme and left it at a point where the audience has to think how they choose to interpret what has happened and where the character goes next.


There tends to be a 50/50 split between people rationalizing the events and those that want to see something else. I argue that both are correct and both possibilities are accounted for in the film.

Upon explaining the ending of my book, many people nod sagely and say “Yes that makes sense.” Others agree that the ending works but are concerned that there may not be the clarity that they want. I think that is the key to any ending. I can be as vague about the specifics as I like but if people don’t feel that the threads of the narrative are adequately tied up it will feel like a cheat. So, again, I’m sort of catering to different groups.

This isn’t to say that it works with every story. Some stories need to be tied with a bow and pronounced complete. I will write those stories for sure. That’s just not this book. That’s not who this character is.

It’s hard to talk specifically about what the ending is because I don’t want to spoil it, I haven’t told you what the story is about yet (that’s coming very soon), and where the main character ends up may not be where I think she is supposed to find herself. I have explained my intentions of how I will wrap up the story to people and hope that I will be able to deliver. It’s certainly the right ending for the character and what happens to her.

I think what I’m keen to achieve is that I want the ending to be talked about, to be debated, I want people to have different interpretations of the events (all of which, and more will be correct), but for the finale of the character’s journey, of her experiences, of who she is at the end to be satisfying and rewarding.

– Andrew

 

Structure For The Blog

Hello Blog-fans,

I probably won’t use that term again. It makes me feel unwell just looking at it.
Moving on…

I have been thinking more about what my plans for the blog are. You may have noticed that the banner at the top has changed slightly, I’m trying to give the blog more of an identity and structure. I sometimes have ideas for things to blog about, in the same way that I often think of things to tweet about. I don’t want this blog to become an expanded twitter page (if you look at my tweets to the right, you will be grateful for that). I want a way to compile those ideas into the blog in less of a scattergun approach.

I have decided for now that the structure of the blog will be: On Mondays I will blog about things that I have been thinking about regarding writing, so this is where the blog about music would be found, or the piece about clichés. On Thursday I will blog more generally. I’m being deliberately vague regarding that at the moment as it may change over time and can fit a few ideas I have regarding the publishing of the short stories.

So there you have it Blog-fans (last time, I promise!). For the time being, until I come up with a better plan, this will be the way the blog will work around the dates of the short story.

– Andrew