Monday Musing: Sequels and Series

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A question I have been asked often after I mention that I’m writing a book is what will happen in the sequel. I am in two very distinct minds about this issue as I both love and loath sequels. As we are soon to be in 2014, the sequel to 2013, this seemed like a good time to talk, vaguely and without resolution, about Sequels and Series.

To me there the two things are different. And I don’t particularly like sequels.
By and large a sequel is a copy of an original idea that largely repeats those story beats but choses to subvert existing expectations to keep it interesting. I’m not saying that sequels are bad. I own a whole heap of them. Silence of the Lambs is a very good sequel to Red Dragon, though I confess to still liking RD more. Silence follows largely the same formula as Dragon, but with added Lector.

This is a difficult topic to write about because some of my favourite books are parts of series, yet I would class them as sequels. I don’t think I necessarily agree that because one particular thing becomes popular that it should lead to it being repeated. I have, I think, three of the sequels to Blade Runner, which is a whole heap of weird because it’s part sequel to Do Androids Dream Of Electric Sheep, largely a sequel to the movie that had little and less to do with the book, and also a sequel to a movie that had its ending changed. Weird. And I don’t think those books were necessary.

This is in opposition to my feelings about Series which tend to have one large story deliberately told over a number of books. George RR Martin’s A Song of Ice and Fire series is an example of this that I’m enjoying. I like long sprawling narratives that were designed to tie in to each other. The Lord of the Rings is a series not sequels.

I’ve spoken before about enjoying Ben Aaronovitch’s Rivers of London books. These books are definitely sequels, taking the parameters of the original and stamping that template of the subsequent books. The same can be said for Malcolm Price’s Aberystwyth books.

Joe Ambercrombie had a series in the First Law Trilogy and that was followed by a number of sequels set in the same world with overlapping characters. In this instance the first sequel Best Served Cold is my favourite book he has written. (I’m currently reading Red Country.)

Actually, I don’t really know what my point is here. I guess, based on the question as to whether there will be a sequel to my book (there won’t) is that there is interest in creating something that will breed further narratives, people want to visit a world and see it expand. This is both a desire from an audience, a financial consideration of people buying the next book because it’s the next book. I have Aaronovitch’s Broken Homes pre-ordered in paperback. I don’t even know what it’s about. So I’m not passing judgement.

I think maybe it’s odd that there is an assumption or expectation that something cannot exist in and of itself, there it must breed further stories. If there are more stories to tell then this is great and exciting. Yet if it is just cashing in on something that worked, I’m more reluctant to become engaged.

And to blur my already muddy thoughts on the matter, yes, I have an idea for a series of books.

 

I’ve not even scratched the surface of my book collection, and have no idea what I would class Iain M. Banks Culture books as. What are your favourite sequels or series? What next book of a story are you looking forward to? Do you wish there was a sequel to your favourite book – what is that book?

I’d like to hear your thoughts.

– Andrew

 

Monday Musing: Doctor Who and the Zygons

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Hello,

A bit of a different Musing today. This is not a critical analysis of the Doctor Who special on Saturday 23rd, but explores one element of it in relation to storytelling. There will be spoilers if you’ve not seen the episode.

At the end of the episode whilst talking about it with a friend she asked me what had happened with the Zygon subplot story. Here’s the thing: thematically it’s completely resolved as part of the larger story. Literally it is completely ignored. I’m not sure which side of the fence I am on about it.

Thematically the story of the Zygons attempting to take over Earth and UNIT Lady’s choice to destroy them all to stop that from happening is the mirror of The War Doctor’s choice to sacrifice all of Gallifrey to destroy the Daleks. It’s basic, but effective, storytelling. As a result The Doctor, who is rarely willing to allow such decisions to be made again steps in and forces a situation whereby the problem is averted by making the Humans and Zygons forget if they are one or the other. Jump to all the Doctor’s realising there is another option to save Gallifrey that will make it appear to have been destroyed but totes not really. At this point, we follow the Doctors as they set about saving Gallifrey. The only hint we have of the Human/Zygon situation is when Cute Scarf Glasses (I’m sure she had a character name) and the Zygon work out which is which but keep it a secret. The implication being that peace would be better than destroying themselves. Following the thematic thread you can assume that the Human/Zygon thing was similarly resolved and everyone was happy.

From a story point of view, the story is left hanging. The Zygon story wasn’t just a frame that the main story was set around it was both the launch point of the main story and vital to its resolution. It was also dramatically interesting in of itself with many characters and situations set up, many resolved or explained, the early phone call for instance. Yet suddenly it is completely dropped in favour of the A story and not returned to. We don’t find out what happened to UNIT Lady or Cute Scarf Glasses (I should probably IMDb this), or how that story was resolved. We’re left to assume that it all worked out fine.

So which is the better option? Our stronger emotional investment is with the Doctors and the Zygon B story is a facet of that story, but can we be satisfied if a story is started, taken to a stalemate situation and then abandoned? The economies of time on television are maybe to blame here.

I’ve said before that I’m quite happy with ideas or narratives being taken to a point before leaving it to an audience to decide for themselves elements of the story (how they feel about it/what it meant/etc), but I’m not sure that I like a story or story element having no resolution at all. Yes, it could be something they will return to in the future, but within the construct of the episode it isn’t addressed at all.

I think it’s an interesting story choice, and something I’ve been thinking about over the weekend.

If you saw the episode what are your thoughts?
If you didn’t watch it, I’m sorry for this Doctor Who based blog.

– Andrew